Alain Resnais's groundbreaking French New Wave meditation on memory, trauma, and desire opened in Japan in June 1959 — mere weeks after its Cannes premiere — under the title "Nijuuyojikan no Jouji." This Japanese theatrical poster arranges photographic stills from the film in a grid composition, reflecting the fragmented narrative structure that redefined cinematic storytelling. As a Franco-Japanese co-production filmed partly on location in Hiroshima, the film holds particular cultural significance in the Japanese market, where Eiji Okada's performance alongside Emmanuelle Riva resonated with domestic audiences engaging with postwar memory. A rare and historically significant piece for collectors of European art cinema and postwar Japanese film culture.